Professional Audio/Video

The XONE:43 from Allen & Heath is a 4+1 channel DJ mixer offering professional quality in a simple, yet intuitive layout for professional DJs, serious home enthusiast and night clubs. The mixer features the XONE analog filter with resonance control, 3-band EQ, a replaceable VCA crossfader, and the X:FX send and return that incorporates any outboard FX unit. n The XONE filter includes high pass, band pass, and low pass filter selections, resonance control, and frequency sweep. Additionally, X:FX may be routed to the filter to add layers of FX and filtering. The crossfader offers three settings for blending and scratching styles and is compatible with a custom Innofader. The microphone channel features a 2-band EQ and doubles as an additional auxiliary input via stereo RCA connectors. The mixer offers XLR main outputs with independent booth and record outputs. The XONE:43 ships with a power cord and a spare set of knobs and buttons.

The XONE:43C from Allen & Heath is a 4+1 channel DJ mixer with a built-in sound card offering professional quality in a simple, yet intuitive layout for professional DJs, serious home enthusiast and night clubs. The mixer features the XONE analog filter with resonance control, 3-band EQ, a replaceable VCA crossfader, and the X:FX send and return that incorporates any outboard FX unit. The XONE filter includes high pass, band pass, and low pass filter selections, resonance control, and frequency sweep. Additionally, X:FX may be routed to the filter to add layers of FX and filtering. The crossfader offers three settings for blending and scratching styles and is compatible with a custom Innofader. The microphone channel features a 2-band EQ and doubles as an additional auxiliary input via stereo RCA connectors. The mixer offers XLR main outputs with independent booth and record outputs.

The Allen & Heath Xone:DB4 is a four-channel digital DJ FX mixer well suited for professional nightclubs, mobile applications, performances, recording applications, and more. Inputs 1 to 4 accommodate line level signals, while inputs 2 and 3 can be switched to phono inputs for turntables. An integrated USB soundcard is capable of 24-bit / 96 kHz audio and is compatible with any digital DJ software or DAW software. For players with digital outputs, there are four S/PDIF inputs for each channel. n Each channel includes an input select, a trim, and a 3-band EQ (switchable between asymmetrical EQ, isolator, and HP/LP filter with resonance). The onboard Quad FX Core DSP engine is based on the iLive pro-touring FX system and includes several algorithms designed with BPM conscious parameters and tight spectral control. Choose between 5 BPM syncing effects on each channel. Additionally, there is an auxiliary channel with an XLR mic input and a pair of RCA line inputs, which includes a 2-band EQ, a gain control, and a level control with cue. The Allen & Heath Xone:DB4 ships with a soft carrying case, power cord, USB cable, and a spare set of knobs.

The multipurpose Allen & Heath ZED-12FX mixer combines six mic/line inputs, three stereo inputs for effect returns and portable music players or keyboards, a 24-bit effects processor, and a USB digital audio interface compatible with Mac and Windows computers-in a compact and portable package small enough for carrying to your gig, whether recording live or in the studio. n Channels 1 through 6 can be accessed through balanced XLR or 1/4" mic/line inputs and feature low-noise DuoPre preamps with 69 dB of gain. They are also equipped with responsive, 3-band swept-mid EQs, which utilize MusiQ technology to optimize the Q factor proportional to the amount of boost or attenuation. n The built-in DSP engine offers sixteen effects to choose from, ranging from classic reverbs and delays to cascaded delays with reverbs and shimmering flanger and chorus effects. Delay tempo can be set on the fly using the convenient TAP button.

Inputs One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the six mono channels there are four stereo channels, each with a main stereo input on jack sockets, and with the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. In all, ZED-14 boasts 99 different controls on its front panel - way more than any of the competition! 6 mic/line channels are provided on ZED-14 - plenty for mics or DI boxes for a small band, duo or solo performer 4 stereo line inputs - dual inputs, both with gain and 2-band EQ    DuoPreTM Based on the proven pre-amps from the hugely successful PA series, the ZED series has new DuoPreTM pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage.

ZED 2402 Sound Mixer has a fantastic pedigree which comes from nearly 40 years of making mixing desks for the professional sound community. The audio circuitry is based on years of continual development and refinement and the performance of all the elements within the mixer is has been perfected to ensure the very best sound quality possible. This is a mixer for anyone, from entry-level to professionals, who appreciates fantastic sound, rugged build quality and imaginative feature sets. It’ll be equally happy running your gig on stage, recording live or mixing down in your studio at home. We’ve teamed up with major software supplier, Cakewalk, to bundle its SONAR LE music creation and audio production software with ZED, giving you a fantastic, high spec digital audio workstation.

ZED-420 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-420 has Configurable USB audio in/out makes it easy to capture stereo recordings, 16 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7×2 matrix. Based on the proven pre-amps from the hugely successful PA series, ZED-420 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge – 69dB of range to be exact – and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance. n