Guitars

Having to switch out your trusty electric for an acoustic guitar in the middle of a set puts a real drag on your show's momentum. That's why BEHRINGER created the ACOUSTIC MODELER AM100, the pedal that transforms your favorite electric axe into a rich, resonating acoustic—faster than you can say the times, they are a-changin'.

With the flip of a switch, the AM300 can produce the sound of four different acoustics: Standard, Large, Piezo and Bright. Thanks to its Out and Dir Out jacks, the AM300 functions very much like an A/B box. Just use the Dir Out to send your unprocessed electric guitar signal to your onstage amp, and the Out jack to send the processed acoustic signal to the main/monitor mixer(s).

Even if you employ the best technique, there will be volume inconsistencies in your sound. This becomes really obvious when you switch from finger-style playing to slapping and popping. The BLE400 can help smooth out these inconsistencies and improve your sound. How? A limiter works by reducing the dynamic range of a signal, often referred to as compression. This means that loud signals are turned down and softer sounds are turned up, so they more closely match each other. The resulting sound is more powerful, focused and rich in tone.

Whether you seek the warm, vintage tube-amp howl that defined the electric blues, or the searing, saturated distortion that can level a juke joint, the BO300 can accommodate. And just like those classic amps of yesteryear, the BO300 is incredibly responsive to your playing, allowing every nuance of your style to shine through.

Aside from compression, chorus remains the most popular and used effect on the bass guitar. And when you’ve got a BUC400 in your arsenal, you’ve got all the great, classic chorused tones from the past – as well as some new ones of your own, at your complete disposal! And best of all, the BUC400 leaves your fundamental unaltered, so you’re always sure to cut through the mix.

Dynamics play an important role in music. They help to convey emotion, whether it’s a sultry blues solo or the unrelenting gallop of unfettered metal. But uncontrolled dynamics can take all your best intentions and turn them into so much, well…mush. That’s where compression comes in, softening loud sounds and boosting low signal levels to keep everything more uniform. So, a compressor’s main job is to make every note the same volume.

You wouldn’t think of using anything less than best reverb you could get – in the studio! So why would you even consider using anything less at your live gig? Now you can add the rich, warm sound of studio-grade reverb to any occasion with the mind-blowing DIGITAL REVERB DR600. The DR600 always provides the ideal finishing touch to any great recording or live performance.

A wah pedal uses a filter to sweep through a wide frequency spectrum, boosting and exaggerating specific tones. As the sweep approaches the higher frequencies, the result is vowel-like sounds reminiscent of the human voice. In the earliest wah pedals, this sweep was controlled by manual manipulation of a footswitch reminiscent of a see-saw. With the DW400, the sweep occurs automatically according to your control specifications. Or you can plug in an expression pedal (not included) to go old-school. And with BERHINGER’s Real Sound Modeling technology, the DW400 emulates the human voice like nothing of its kind.

Get louder, get quieter, or get modulated with the outstanding FCV100. This versatile pedal works equally well as a volume or modulation pedal – without tying up your hands or slowing down your performance.

Your guitar is designed to deliver a tasty range of tones, from rich lows to warm mids to chiming highs. But when you start pulling certain frequencies out of the equation with the help of the FILTER MACHINE FM600, really cool and unusual things start to happen!

The FSB106A Heavy-Duty 6-Button Footswitch is identical to the one that ships with our Bugera TRIREC amplifiers. It is designed to perform as a remote switch for Channel selection, Boost, Reverb and FX Loop functions – plus doubles as a MIDI IN / THRU conduit for complete MIDI remote switching. LED indicators display the status of the amp.

The authentic V-TONE modeling technology recreates three of the most sought-after classic guitar amps, with three gain modes and three mic placements for a total of 27 possible configurations. You get a truckload of great amps in one convenient stomp box, allowing you to go from clean or crunch to super-fat distortion in a flash.

This one-of-a-kind effects pedal literally takes your playing to a higher level, a higher octave to be more precise. Every type of flanging sound is available, from a gently purring kitten, to the sound of a fighter jet shrieking past you on the flight deck of an aircraft carrier! And since the HF300’s effect is generated a full octave higher than normal, you get the brightest, cleanest flange ever.

The HEAVY METAL HM300 produces the huge, slicing guitar tone that, until now, was only available from high-gain amps cranked to the point just before meltdown. With the 2-band EQ and dedicated Distortion and Level controls, the HM300 will push your tone to the perfect level for a massive sonic assault.