Designed to accommodate a wide variety of live sound reinforcement and recording scenarios, the Allen & Heath Qu-Pac is a 16-input 12-output rack-mountable console-less digital mixer that doubles as a 32×32 USB recording interface. Featuring 16 of the company’s recallable AnalogiQ microphone preamps and powered by a 5-core ARM processor, the Qu-Pac provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay, and reverb.

Now in a feature-packed new Chrome Edition, Qu-32 reshapes digital mixing, combining innovative design and exceptional functionality to create a superb professional mixing experience. Bristling with all the features you’d expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems, Qu-32 has the power and pedigree to deliver class-leading audio performance.

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Qu series features include multitrack recording direct to USB, Automatic Mic Mixing, ProFactory mic presets, plus an ever growing ecosystem of apps, accessories and remote I/O.

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Whether you’re switching from analogue or updating your digital desk, it’s time to experience the new digital with Qu-32

The Allen & Heath ZED60-10FX is a small, 6-channel mixer that packs an incredible amount of connectivity along with built-in digital effects. It’s a great companion for live mixing, live recording, and multitracking over USB.

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The ZED60-10FX features 4 mic/line inputs with 3-band EQ and Phantom Power. Channels 3 and 4 have 1/4″ Hi-Z instrument-level inputs for connecting guitars, electric basses, etc. There are 2 additional stereo channels for connecting keyboards or other stereo sources, like a CD player or iPod.

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The channel strips of the ZED60-10FX have big functionality for a small format mixer. Each channel features low and high frequency shelving EQ, while the mono channels add a 100Hz high pass filter and an extra band of sweepable midrange. An FX send on each channel controls how much signal is sent to the onboard effects buss, while an Aux send can feed an independent monitor mix. After the panning controls, each channel can be sent or bypassed from the recording buss, post-EQ solo’d with the “Listen” button, or muted. The final stage of each channel strip is a 60mm level fader, providing a tactile mixing experience.

ZED3642 Analog Mixer gives you all the essentials you need for flexible live mixing: 32 channels with smooth, long-throw faders, 4-band EQ with swept mids, six aux sends, and four subgroups. You also get a direct output on every channel and master level controls on all outputs. It’s an incredible amount of flexibility, at a great value, but Allen & Heath added another dimension of functionality to the ZED-436: USB connectivity! Now you can get clean, clear audio straight into and out of your computer with the ZED-436.

The Allen & Heath ZED-22FX is a 22-channel analog mixer offering versatile I/O and built-in effects for use in home and project studio recording, houses of worship, and live sound reinforcement. The 16 mono channels feature Neutrik XLR mic and 1/4″ line inputs, DuoPre preamps with phantom power and bountiful gain, 1/4″ insert points, and 3-band EQ, while the three stereo channels have 1/4″ inputs and 2-band EQ. All channels are equipped with long-throw 100mm faders, solo and mute buttons, and independent aux send knobs.

ZED-420 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application and professional PA hire stock. ZED-420 has Configurable USB audio in/out makes it easy to capture stereo recordings, 16 mic or line inputs plus 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7×2 matrix. Based on the proven pre-amps from the hugely successful PA series, ZED-420 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge – 69dB of range to be exact – and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

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Inputs One of the great things about the ZED series is the number and variety of things you can plug in. In addition to the six mono channels there are four stereo channels, each with a main stereo input on jack sockets, and with the ability to take additional stereo inputs from phono sockets or from the USB audio input, flexibility gives you control. In all, ZED-14 boasts 99 different controls on its front panel – way more than any of the competition! 6 mic/line channels are provided on ZED-14 – plenty for mics or DI boxes for a small band, duo or solo performer 4 stereo line inputs – dual inputs, both with gain and 2-band EQ    DuoPreTM Based on the proven pre-amps from the hugely successful PA series, the ZED series has new DuoPreTM pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage.

The multipurpose Allen & Heath ZED-12FX mixer combines six mic/line inputs, three stereo inputs for effect returns and portable music players or keyboards, a 24-bit effects processor, and a USB digital audio interface compatible with Mac and Windows computers-in a compact and portable package small enough for carrying to your gig, whether recording live or in the studio.

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Channels 1 through 6 can be accessed through balanced XLR or 1/4″ mic/line inputs and feature low-noise DuoPre preamps with 69 dB of gain. They are also equipped with responsive, 3-band swept-mid EQs, which utilize MusiQ technology to optimize the Q factor proportional to the amount of boost or attenuation.

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The built-in DSP engine offers sixteen effects to choose from, ranging from classic reverbs and delays to cascaded delays with reverbs and shimmering flanger and chorus effects. Delay tempo can be set on the fly using the convenient TAP button.

Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZEDi-10 is a ten-channel compact mixer that doubles as a USB interface. On the mixer side, you get four XLR inputs, four line inputs, two instrument ports, and two pairs of stereo line inputs. Utilize this unit’s digital capabilities and you’ll find yourself with four channels of conversion—analog-to-digital or vice-versa. Thus, you’ll find the ZEDi-10 equally suited for live-mixing in small venues and for tracking instruments on the fly.

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Should you choose use the unit as an interface, you’ll find that it comes with Cubase LE, a digital audio workstation which enables you to record, sequence, and edit music, be it audio or MIDI.

Designed to bring the signature Allen & Heath sensibility to a compact and portable frame, the ZEDi-8 is a four-channel mixer that doubles as a USB interface. On the mixer side, you get two XLR inputs, two line/instrument inputs, and two pairs of stereo line inputs. Utilize this unit’s digital capabilities and you’ll find yourself with two channels of conversion—analog-to-digital or vice-versa. Thus, you’ll find the ZEDi-8 equally suited for live-mixing in small venues and for tracking instruments on the fly.

Should you choose use the unit as an interface, you’ll find that it comes with Cubase LE, a digital audio workstation which enables you to record, sequence, and edit music, be it audio or MIDI.

Building upon the success of the XONE:92, the Allen & Heath XONE:96 is a flexible, professional six-channel DJ mixer designed for nightclub and venue installation. The XONE:96 is updated with a dual 32-bit/96kHz soundcard with two USB connections for up to 24 channels of I/O. There are two independent headphone amplifier circuits with 1/4″ and 1/8″ connections that, when combined with the two separate soundcards, allow for some serious back-to-back sessions and seamless DJ transitions. The classic dual VFC filters (LP, BP, HP) offer frequency cutoff and resonance controls and have been updated with a “Crunch” circuit, which offers controlled harmonic distortion (pre-filter).

Channels 1-4 offer four turntable (phono) and four line inputs on RCA connections, while channels A and B feature balanced XLR microphone inputs and stereo 1/4″ line inputs. The XONE:96 is packed with sonic and performance enhancing features that include a powerful four-band EQ on channels 1-4 and a 3-band parametric EQ on channels A & B. Additional features include user replaceable 60mm VCA channel faders, and a replaceable innoFADER Mini crossfader.

The Allen & Heath Xone:DB4 is a four-channel digital DJ FX mixer well suited for professional nightclubs, mobile applications, performances, recording applications, and more. Inputs 1 to 4 accommodate line level signals, while inputs 2 and 3 can be switched to phono inputs for turntables. An integrated USB soundcard is capable of 24-bit / 96 kHz audio and is compatible with any digital DJ software or DAW software. For players with digital outputs, there are four S/PDIF inputs for each channel.

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Each channel includes an input select, a trim, and a 3-band EQ (switchable between asymmetrical EQ, isolator, and HP/LP filter with resonance). The onboard Quad FX Core DSP engine is based on the iLive pro-touring FX system and includes several algorithms designed with BPM conscious parameters and tight spectral control. Choose between 5 BPM syncing effects on each channel. Additionally, there is an auxiliary channel with an XLR mic input and a pair of RCA line inputs, which includes a 2-band EQ, a gain control, and a level control with cue. The Allen & Heath Xone:DB4 ships with a soft carrying case, power cord, USB cable, and a spare set of knobs.

The XONE:43 from Allen & Heath is a 4+1 channel DJ mixer offering professional quality in a simple, yet intuitive layout for professional DJs, serious home enthusiast and night clubs. The mixer features the XONE analog filter with resonance control, 3-band EQ, a replaceable VCA crossfader, and the X:FX send and return that incorporates any outboard FX unit.

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The XONE filter includes high pass, band pass, and low pass filter selections, resonance control, and frequency sweep. Additionally, X:FX may be routed to the filter to add layers of FX and filtering. The crossfader offers three settings for blending and scratching styles and is compatible with a custom Innofader. The microphone channel features a 2-band EQ and doubles as an additional auxiliary input via stereo RCA connectors. The mixer offers XLR main outputs with independent booth and record outputs. The XONE:43 ships with a power cord and a spare set of knobs and buttons.

The Allen & Heath XONE:23 – 2+2 Channel DJ Mixer is designed for professional and home DJ applications such as at a party or in the club. The mixer features an enhanced version of Allen and Heath’s Xone voltage controlled filter system with resonance control, a 3-band total kill EQ per side, VCA faders, illuminated switches, styling from the flagship DB4 DJ mixer, and a user upgradeable crossfader with curve selector.

For I/O, the mixer includes two pairs of RCA line inputs and two pairs of RCA phono inputs. Though the mixer has two faders, each of the four inputs has an independent level control to enable playing up to four simultaneous sources in the mix. It also features dedicated stereo send and return channels for integrating external effects units. The front panel of the unit includes a balanced XLR input for connecting a microphone with level, high frequency, and low frequency equalizer controls.

SL1602-Rack Ear Kit. Designed to fit one (1) StudioLive 16.0.2 or StudioLive 16.0.2 USB mixer.

The PreSonus NSB 16.8 Rackmount Kit allows you to install your NSB 16.8 AVB network stagebox into a standard 19″ rack mount enclosure. The kit includes two blank panels, two Ethernet cables, and mounting screws. One panel features two Ethercon jacks, which once connected with the included Ethernet cables, provides access to the AVB network ports from the front panel.

Designed to work seamlessly with Presonus StudioLive Series III mixers, the Presonus NSB 8.8 stage box offers 8 locking combo mic/line inputs with remote-controlled XMAX preamps that include gaining compensation for shared input scenarios. All inputs can be controlled from a StudioLive Series III console and from free Presonus UC surface software. All eight outputs employ locking XLR jacks. 

The PreSonus StudioLive 32R exhibits exceptional performance, both as a rackmount mixer and as a stagebox for your StudioLive Series III console. It features 32 great-sounding XMAX preamps, a flexible array of I/O, and comprehensive routing, making it useful in innumerable live applications. It’s equally at home in the studio, boasting built-in 40-in/40-out USB and 55-in/55-out AVB audio interfaces. Onboard stereo SD recording is also supported, making instant live recordings a breeze.