When you’re talking powered PA subwoofers, efficiency is the name of the game. With a cutting-edge bandpass design that delivers class-leading output and deep, venue-shaking bass, the Mackie Thump18S serves up your lows with impressive clarity and punch. The Thump18S sports an 18″ custom high-output woofer powered by a beefy, cool-running 600-watt RMS Class D amplifier, all housed in a rugged wood enclosure. The system gives you powerful low-end response from 40Hz-120Hz (-3dB). And with dual XLR inputs, stereo full-range and highpass outputs, adjustable level and polarity controls, and a pole cup for mounting your main speakers, the Mackie Thump18S gives you the flexibility you need for just about any sound-reinforcement scenario.

The Thump15BST delivers chest-thumping low end, thanks to Mackie’s proprietary Dynamic Bass Response, along with wireless control and Bluetooth streaming. The built-in three-channel digital mixer features a pair of Vita+ preamps with Wide-Z technology, effortlessly handling mic, instrument, and line-level signals. It’s easy to get great sound with the Thump15BST Ñ channels one and two supply you with a three-band EQ and variable highpass filters, and six application-specific speaker modes tailor the speaker to your situation. Complete with a durable road-ready enclosure and robust system protection, the Thump15BST is great for DJs and electronic musicians.

Armed with a 12″ low-frequency driver, Mackie’s redesigned Thump12A features a Class D amplifier with their proprietary Dynamic Bass Response for detailed midrange and abundant bass that are ideal for small venues, such as coffeehouses. The built-in two-channel mixer’s Vita preamps are loaded with Wide-Z technology, effortlessly handling mic, instrument, and line-level signals. The Thump12A is a breeze to use, thanks to four application-specific speaker modes that tailor it to your situation. Additionally, the Thump12A’s portable design makes for easy setup and tear down, which will save time and make life easier. Complete with a durable road-ready enclosure and robust system protection, The Mackie Thump12A is primed to handle any gig.

Mackie MR series studio monitors deliver extreme clarity with plenty of output and responsive, dynamic lows. But if you’re working on hip-hop, EDM, or any other bass-heavy project, you’ll need more low-end extension. Enter the MRS10. This powered subwoofer pumps 120 chest-thumping watts through a 10″ glass-aramid-composite woofer, bolstering your low-end performance, increasing your SPL capabilities, and optimizing your studio by allowing your mains to focus on mids and highs. An adjustable crossover and switchable polarity make integrating the MRS10 into your studio easy. Complete with an eye-catching all-wood cabinet, the MRS10 looks as great as it sounds.

Mackie’s MR524 delivers superior translation that you can trust. The MR524 features a 5″ polypropylene woofer that yields responsive, dynamic lows and a 1″ silk-dome tweeter that offers extreme clarity and transient response. These active studio monitors are equipped with Mackie’s logarithmic waveguide system to minimize diffraction and reflections, resulting in enhanced stereo imaging and a large sweet spot. Precise acoustic alignment ensures a balanced frequency response. You can also tailor the MR524 to your room with the Acoustic Space switch and High Freq filter. Complete with an eye-catching all-wood cabinet, the MR524 looks as great as it sounds.

The Mackie HR824mk2 active studio monitors manage to improve on the widely-used originals. New features, such as a solid aluminum Zero Edge baffle and optimized waveguide help to give the HR824mk2 even more accurate, natural sound reproduction. Designed with high-definition audio in mind, this monitor provides exeptional clarity for surround 5.1 and 7.1 applications, and an Acoustic Space Control function allows it to be adapted to any room and still provide maximum accuracy. Low-frequency roll-off and high-frequency shelf functions are also included on the HR824mk2.

Add deep bass, Bluetooth capability, and convenient desktop volume control to your studio monitoring setup with the Mackie CR8S-XBT Creative Reference Series 8″ multimedia subwoofer. It features an all-wood cabinet with a custom-tuned bass port and a 200W amplifier driving an 8″ polypropylene coated woofer.

CR Series Creative Reference Multimedia Monitors offer studio-quality sound with cosmetics that compliment any desk whether you’re making music, creating content, or just relaxing to your favorite tunes. The sleek design of CR-X features a brushed metal panel and a distinct outline that stands out. Available in a vast range of sizes from 3” to 8” with Bluetooth® option plus an 8” subwoofer with Bluetooth, CR-X has the perfect match for your needs.

The Mackie CR3-XBT is a pair of Bluetooth-enabled Creative Reference Series 3″ multimedia monitors offering a compact solution for quality audio playback in home studios and gaming setups. With 50W of amplification driving 3″ woofers and 0.75″ tweeters, the CR3-XBT monitors work well whether you’re creating content or casually enjoying some tunes.

The pair consists of one passive speaker and one powered speaker that connect with an included speaker cable. Each monitor incorporates a custom-tuned rear port to smoothly extend the low end and a specially designed waveguide for clarity and proper dispersion of high frequencies.

Mackie CR3-X Multimedia Monitors put studio-quality sound right on your desktop at a great value. Mackie have earned their reputation for quality studio monitoring over the years, and CR3-X Multimedia Monitors are just as suitable for multimedia production as they are for gaming and casual listening.

The Sub8 is a small yet powerful subwoofer designed to extend the low frequency capabilities of any nearfield monitoring system down to 30Hz. It houses a robust 8.5″ woofer with a 1.5″ voice coil driven by a 160W ICE power amplifier. This amp combines low heat generation with high performance to handle maximum power levels, even during long mix sessions.

The Sub7 has been designed to complement smaller monitors such as the AX-Series. Its small footprint allows for easy placement, even in small environments. The included remote control facilitates volume changes or crossover frequency adjustments from your favorite listening position.

The T7V is a two-way studio monitor designed for vertical use in a nearfield application.

The T7V features a 7” woofer that provides bass extension down to 39 Hz, while the U-ART tweeter’s diaphragm provides pristine and extended high-frequency response up to 25 kHz – virtually unheard of in monitors in this price range. The U-ART tweeter is fitted to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio’s flagship S Series studio monitors. The waveguide’s highly uniform dispersion of high frequencies provides an incredibly wide sweet spot that frees you from being glued to a rigid mix position while working.

The T5V is a highly affordable two-way nearfield monitor and optimized for small control rooms.

With its 5” woofer the bass-frequency response of the T5V extends to 45 Hz. The new U-ART tweeter, a breakthrough solution for use in high-resolution recording and mixing on a budget, goes up to 25 kHz and is mated to a precision waveguide with the same dispersion-control attributes as the High Frequency Propagation (HPS) waveguide used in ADAM Audio’s flagship S Series monitors. The waveguide’s highly uniform dispersion of high frequencies provides an incredibly wide sweet spot that frees you from being glued to a rigid mix position while working.

The KH 870 Dual 10″ Active Studio Subwoofer from Neumann is a professional-grade subwoofer, ideal for tracking, mixing, and mastering applications in music, broadcast, and post production facilities. The sub has a 7.1 HD Bass Manager that is compatible with all standard consumer formats from mono all the way up to more recent 7.1 high-def systems. The subwoofer supports 8 channels of analog audio via XLR connectors for wide compatibility and flexibility in modern studios. You can also add an optional 24-bit/192kHz digital input card to add support for 8 digital channels.

The KH 805 has a unique bypassable 2.1/0.1 Bass manager which enables it to be used in many different applications. There are four LFE routing modes to ensure maximum flexibility. Fourth order crossovers and adaptable acoustical controls allow for seamless system integration, and the bass management function can be remotely controlled.

Based on the excellent acoustical performance of the KH 810, the KH 805 is the optimal choice to be used in stereo applications, for example in combination with KH 80 DSP, KH 120 or KH 310.

The KH 310 is a three-way tri-amplified monitor with thermally protected Class AB amplifiers (210 W and two times 90 W). Its Mathematically Modeled Dispersion™ (MMD™) waveguide delivers sound waves into the room with superior accuracy. The drivers are modeled using Neumann’s in-house developed software, which reduces non-linear distortion in every situation. Sound distributed in a horizontally precise manner ensures flexibility in the listening position; the narrower vertical dispersion reduces the negative effects of nearby reflections, for example from a desk or mixing console. The precisely controlled dispersion characteristics optimize reproduction in different room configurations and the response is extremely adaptable through various acoustical control settings.

The KH 120 D studio monitor is designed for use as a near-field loudspeaker or as a rear loudspeaker in larger multi-channel systems. The KH 120 D represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. It has a Mathematically Modeled Dispersion waveguide (MMD ), flexible acoustical controls, analog class-AB amplifiers, various input formats (analog and digital) and an extensive mounting hardware range. All of this provides the user with the maximum versatility over a wide variety of acoustic conditions, source equipment, and physical locations.

The KH 120 D is perfect for tracking, mixing and mastering in music, broadcast, project and post-production studios.