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Laney Amplification began in 1967 when Lyndon Laney, whilst playing in a local band, 'The Band of Joy' with John Bonham on drums and Robert Plant on vocals, turned his musical interest into amplifier construction. Initially working in his father’s garage. Lyndon Laney sought to design and build amplifiers with key 'tonal' characteristics that were unheard of at the time. Formed in 1967 by Lyndon Laney, Laney Amplification is a West Midlands based guitar and musical instrument amplifier manufacturer who were closely involved with Tony Iommi of Black Sabbath in the birth of the ‘Heavy Metal’ music genre. Since 1967, Laney Amplification has gone on from strength to strength and is now a multinational company that continues to design ‘tone’ solutions to enable musicians of all playing

The Cub10 is driven by a pair of 6V6GT power tubes which deliver 10 watts of classic tube tone. Its 10" speaker is custom-designed exclusively by HH. The Cub 10 houses a 10″ HH driver. HH have custom-designed the driver exclusively for Laney giving the perfect loudspeaker pairing to the amplifier.

Designed to make tube amps accessible to every player, the Cub10 is a Class A/B design and produces 10 watts RMS of power from a pre amp loaded with 2 ECC83’s and a pair of 6V6GT power tubes.

The CUB 8 is a brand new, all tube guitar amp with its roots fairly and squarely back in the very beginning of tube amp production. The design ethos behind the CUB amps is 'Small is Beautiful!' There are plenty of situations when small is king and having an amplifier like the CUB 8 allows you to get 'THAT' vintage sound. The CUB 8 features a classic single-ended Class A design, and is loaded with a single ECC83 in the pre amp section and a single 6V6GT in the output section generating 5 watts RMS of vintage tube tone. The CUB 8's control panel is simplicity personified - a tone control, a volume control, Hi and LO input and that's your lot. The CUB 8 houses an 8" Celestion driver. Using a CUB 8 is straightforward, plug in, dial in your tone and wind the volume up a little and the 6V6GT's respond in a bright, bouncy and brilliant fashion. Drive the output section harder and the increased 2nd and 3rd order harmonics give the tone a pronounced bottom end and a lovely lower mid.

The GH30R-112 combo gives something back to the modern guitar player that for too many years has been overlooked. In a world obsessed by pre-amp distortion, the dark art of power amp distortion has been lost – until now. The GH30R-112 delivers transparent, versatile classic rock tones with the ability to blend in the dynamic characteristic of pre-amp distortion and power amp distortion right there at your fingertips.

Loaded with a specially chosen Celestion V-Type driver the GH30R-112 delivers an impressive stage presence for such a compact combo. Both channels on the GH30R-112 produce the same tonal characteristic but how you set them up gives you the subtle difference that tone hounds dream about.

The IRT-Studio-SE offers the same classic tones as the big Ironheart amps, but in a low-power, compact, and lightweight design. Equipped with ECC83 Preamp valves and EL84 output valves, the IRT-Studio amp delivers 15W of pure tonal power, with the option to switch to less than 1W via the second input for times when loud volumes aren’t permitted. Even with is compact design, the amp head still offers 3 channels and a wide range of control to dial in the perfect tone for any situation. Its 3 band EQ features push/pull EQ shift functions, extended the frequency ranges for further tone shaping, while the dynamics, tone, and reverb controls allow players to give their sound a personal touch.

Along with its incredible tonal capabilities, the Ironheart Studio features a variety of ins/outs to seamlessly integrate into existing rigs. Its D.I. output is perfect for directly connecting the amp head to DAWs, PAs, and mixing consoles, and features a high-quality speaker emulator to deliver all valve tones to your DAW or PA, or even both at the same time. The amp is also equipped with an internal dummy load, removing the need to connect an external speaker and deliver a truly silent recording. The FX loop is idea for connecting your favourite stompboxes, and the Aux in is perfect for playing along to backing tracks and songs.

The Laney IRT15H-2 15W tube guitar amp head delivers a single Ironheart channel that's flavored with 12AX7 (preamp) and EL84 (power amp) tubes. For when 15W is too much, there's also a 1W guitar input. Other features include high-quality digital reverb, an FX loop with variable level control and a DI output.

The IRT412 custom-designed straight guitar cabinet is constructed from rugged plywood and loaded with 4 Custom 12” HH drivers handling 320 watts. Laney Amplification began in 1967 when Lyndon Laney, whilst playing in a local band, 'The Band of Joy' with John Bonham on drums and Robert Plant on vocals, turned his musical interest into amplifier construction. Initially working in his father’s garage. Lyndon Laney sought to design and build amplifiers with key 'tonal' characteristics that were unheard of at the time. Formed in 1967 by Lyndon Laney, Laney Amplification is a West Midlands based guitar and musical instrument amplifier manufacturer who were closely involved with Tony Iommi of Black Sabbath in the birth of the ‘Heavy Metal’ music genre. Since 1967, Laney Amplification has gone on from strength to strength and is now a multinational.

Designed and engineered in the Black Country, Great Britain, the Ironheart IRT412 is a standard-sized, straight guitar cabinet loaded with 4 x 12” HH drivers designed to deliver punch and clarity when used with any amplifier.

Constructed from rugged plywood the IRT412 is finished with black metal corners, black textured front fret, black basket weave Tolex, steel castors and comfortable side mounted bar handles the IRT412 cabinet is designed to survive a life on the road for years to come.

The Laney Ironheart IRT60H is a thoroughly modern tube head capable of full on metal tones but offers you far more than other metal oriented amps. It's loaded with a pair of premium TAD 6L6 loaded tubes. The feature packed preamp is laid out logically and features three distinct channels (Clean, Rhythm and Lead). Each channel features passive 3-band EQ with push pull options for Deep, mid shift and treble shift which allows you to dial in the exact tone you are after. The master section features an overall Dynamics control which allows you to vary the interaction of the amp the drivers. Depending on the volume, an overall Tone control, a Laney custom Digital Reverb and a Watts feature allow you to dial the out put of the amp back to a whisper without destroying your tone.

One of the coolest features of the IRT60H is a switchable Pre-Boost facility which functions just like kicking in your favorite boost pedal in front of your amp. This gives your playing more dynamics and feel. The rear panel of the unit features everything you need to connect your outboard gear, a variable level FX loop, a variety of extension speaker sockets and the supplied FS4-IRT footswitch connection socket. You'll also find the switch that gives you the ability to change the output tubes from the factory should you like. Finished in tough black basket weave Tolex with matching front fret and brooding red glow, it looks as good as it sounds.

Designed and engineered to compliment the L50H’s sonic output each L412 is manufactured from high-grade premium marine plywood and loaded with 4 12” Celestion G12 Heritage drivers which together deliver 120 RMS of great vintage tone.

Finished in the same Marine Blue/Beige livery as the L50H and the rest of the Lionheart range the L412 comes with castors as standard and a protective embroidered slipcover.

Quality speaker cabs from 1x12 to 2x12 to 4x12 quad boxes. Loaded with everything from greenback Celestions® to high quality Fane® speakers. Ibanez, Engl, Hiwatt, and Hughes and Kettner produce professional speaker cabs for all musicians.

The Lionheart L50H's BITE control tightens up the bottom end giving a clean and clear punchy sound, whilst the tone control works in a similar fashion to the Tone controls on your guitar except that it works uniquely on the other end of the amplification chain. Giving you the ability to control not only the overall top end response but also reduce the upper end harmonics on the output stage and preamplifier overdrive sounds.
The Dynamics control allows you to control the Lionhearts low frequency response dialling clockwise gives a more extended low-end response. Dialling the Dynamics control counterclockwise tightens up the low-end response.

The L50H rear panel features an FX loop with Bypass/Insert/Side Chain operation modes with a level control, the footswitch socket as well as housing the Preamp Out/Power amp in sockets along with the speaker connections for 8 & 16 Ohm cabinets.
Each Lionheart L50H features a hand stamped "build number" in the order they came of the production line. Designed and manufactured in the UK.

If you are looking for an amplifier that can really handle your acoustic guitar and project it with a natural pure voice then look no further than the LA series. Whether you are playing a regular 6 string dreadnaught, a parlour or even a 12 string, you can be confident that every nuance and detail will shine through.

The compact and portable LA12C features 12 watts RMS output and features a single dedicated acoustic channel, full three band EQ and a switchable chorus and produces a full, warm rich acoustic tone that can be further enhanced by an on-board chorus. It also features an AUX socket that lets you connect an external sound source, making it ideal for solo performances with a backing track and finally a headphone socket.

The LA15C is a compact, plug and play practice amplifier designed specifically for acoustic instruments. Designed and engineered in Great Britiain, LA acoustic amplifiers are built to deliver natural sound reproduction for acoustic instruments. The preamplifer, power stage and speaker components and all carefully developed and tested to deliver quality tone combined with functionality and portability.The LA15 is a simple-to-use and compact amplifier combo designed specifically for acoustic instruments such as electro-acoustic guitars. It delivers pure acoustic tone with ease.LA15’s instrument channel features a 3 band EQ for tone shaping plus a Shape switch – this provides a great sounding “go to” setting from a single button press.A pre-selected chorus setting can be added with a simple switch. This adds richness and thickness to the original acoustic sound.The mini-jack AUX input, allows for connection of a playback device such as MP3/ipod/CD for jamming along to songs or backing tracks, plus there is a headphone socket for doing so quietly –a great feature for private practice or late night sessions. The LA15’s 15W RMS power stage is coupled to a pair of custom-designed 5” woofers giving broad sound dispersion and impressive output level.

The LA65D houses a twin channel pre-amp that’s packed with features – Channel 1 takes care of a mic input, additional guitar or keyboard. You then have a gain control, independent Lo & Hi EQ and an independent reverb control. Channel 2 takes a similar format to that of the LA35C adding a Pre shape option – for an instant natural mid cut plus bass & treble boost, a phase switch, along with digital chorus and reverb, plus a SHIMMER feature – allowing you to emphasise the sparkly bright sound of the onboard chorus.

The rear of the unit houses a headphone socket, XLR DI out with a ground lift switch to eliminate ground loop hum and FX loop send and return with switchable level/by-pass switch. Finally a footswitch socket allows remote controlling of the chorus and reverb.

The LA65D handles anything plugged into it with ease, be it a regular 6 string dreadnought or parlour, nylon or 12 string, more than anything else what really impressed me was the clarity and definition of the overall sound. Nothing was lost from the natural guitars tone – everything was there, present and correct.

The LA65D range is extremely accurate, detailed and produces an uncomplicated acoustic sound.