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Electronic and dance music producers looking for a powerful, all-in-one groove sampler will be thrilled with the Novation Circuit Rhythm, a compact and portable sampler that builds upon the success of the Circuit Tracks and is designed to be used in the studio or on the go for professional producers and DJs.

The Circuit Rhythm offers eight flexible sample tracks with several sample capabilities including slice, chromatic, one-shot, gated, looped, and reverse. The machine provides a variety of sample controls including tune, start, length, slope, distortion, high-pass filter, low-pass filter and resonance. What's more, there is a sample choke function that allows you to assign samples to a group, where by any sample that is playing is automatically cutoff when a new sample in the group is triggered. Great for creating realistic hi-hats and other sounds.

Circuit Rhythm uses Components, a standalone software editor, which provides deep access to the instrument's sampling engine, sample organization, macro controls, and more. You can load up to 220 seconds of samples, plus thousands of patches and projects from the included SD card. Circuit Rhythm is USB class compliant and will work with any modern Mac or Windows computer.

A 4x8 grid of velocity-sensitive (RGB) sequencer pads are used to program the advanced, built-in 32-step sequencer, which offers real-time and step-input recording, as well as time and key lock to ensure all your sounds lock to tempo and blend harmonically. The 8 macro encoders allow you to record and playback multiple parameter tweaks in real time. Combine up to 256 steps of patterns to complete full songs. The onboard effects do not disappoint. There's delay, reverb, and side-chain Send FX for adding depth and motion to your tracks, while the Grid FX provide a variety of realtime effects you can trigger. Choose from vinyl simulation, beat repeat, phaser, gater, reverser, auto-filter, and digitizer.

Impulse 25 from Novation is a USB MIDI keyboard controller featuring 25 semi-weighted keys with assignable aftertouch. It was designed to feel like an instrument rather than a computer peripheral and responds more accurately, and in a musical manner, when triggering a synthesizer or software instrument.

In addition to the keys, the controller features eight rotary controls and eight backlit drum pads, along with the obligatory pitch and modulation wheels. The controls allow for hands on manipulation of DAW functions, virtual instruments, and plug-ins. The included Automap control software takes the hassle out of assigning the controllers with its instant mapping feature.

The Automap software edit page looks just like the Impulse control surface. This labels what each knob, fader, and button is controlling. Once an automapping is finished, the window can be hidden. Control is available over the mixer, transport, and plug-ins of all major DAWs, as well as plug-in instruments and effects that don't come with a DAW, like products from Native Instruments, Waves, or FXpansion.

Launch control XL is the ultimate controller for Ableton live. It helps you focus more on your music and less on your laptop, by providing 16 buttons, 24 knobs and eight faders, all of which integrate seamlessly with live to give you total hands-on control. When combined with Launchpad's intuitive 64-button grid, launch control XL provides extraordinary simultaneous control over Ableton Live's session view, mixer, effects and instruments. Crafting the perfect mix has never been easier! spend less time peering at your screen by using hands-on controls that integrate seamlessly with Ableton live. The 24 knobs are arranged in three rows, which align perfectly with Ableton Live's mixer. They also have multi-colored LEDs that illuminate to distinguish between sends, EQs or any other device. Eight rugged 60mm faders offer high-precision control over your levels, while 16 multi-color buttons offer immediate track focus and mixer control. Assign buttons, knobs and faders to any parameters within Ableton live to make your own layouts. You can even customize knobs with your own colors, and effortlessly switch between your own mappings and Live's built-in functionality. Producing the perfect mix has never been easier! experience an unprecedented level of freedom when playing live, by combining with a Launchpad s to control Ableton Live's session view. Trigger clips, play drum racks, and control your mixer, effects and instruments all at the same time. With support for Mackie's HUI protocol onboard, too, launch control XL is fully geared-up to take command of Cuban, Logic and pro tools as well as live. In HUI mode, the sliders link directly to your DAW mixer's volume faders, the rotaries above them step through controlling pan and five sends, the track select buttons jump between banks of eight tracks/channels, and the bottom row of buttons map to mute, solo or record arm. The top two rows of rotaries, meanwhile, are freely MIDI mappable - yours to assign as you see fit!

The Novation Peak is an 8-voice polyphonic synthesizer based on the Novation Bass Station II analog monosynth; it is well suited for musicians, sound designers, and synthesizer enthusiasts. The instrument features analog-sounding NCOs (numerically controlled oscillators), which include 3 new Oxford oscillators per voice, as well as a flexible digital domain with 17 digital wavetables. The instrument also features a multi-mode, analog state-variable OTA filter with high-pass, band-pass, and low-pass selections with 12/24 dB slopes. Peak's sound engine is rounded out by the true analog distortion and digital effects including chorus, delay, and reverb.

At the heart of the synthesizer lies the high-powered processor component called a field programmable gate array (FPGA), which far surpasses traditional DSP chips. Each of Peak's eight voices has an independent oversampling digital-to-analog converter (DAC). These DACs are oversampling at over 24 MHz (24 million times per second), using a simple RC (resistor-capacitor) filter on their output in the analog domain. Peak's ability to generate waveforms at the oversampling frequency (up to 512 times the traditional rate) ensures that Peak's waveforms are pure at all frequencies and free from digital artifacts, no matter how aggressively the pitch is modulated.